according to everyone i know, i am:
pretentious.
disgusting.
horrible.
a bad influence.
shallow.


according to me, everyone else is:
hypocritical.

spiritualevolution1111:

gingerbatch-addict:

salaamender:

Sometimes I think to myself, “do I really want to buy another chocolate bar?”
And then I remember that there is a super volcano under Yellowstone that is 40,000 years overdue and when it erupts it could potentially cover most of north America in ash and create a volcanic winter that kills half the worlds population
And I’m like, fuck yeah I want that chocolate bar

This is one of the most inspiring posts i’ve ever seen

I concur.

miranduh-cosgrove:

gothqirl:

can we address the elephant in the room

its really rude to talk about girls like that 

miranduh-cosgrove:

gothqirl:

can we address the elephant in the room

its really rude to talk about girls like that 

art-of-swords:

Short Sword

  • Dated: circa 1530 — 1540
  • Culture: South German or Swiss
  • Medium: steel, leather
  • Measurements: overall length,78.6 cm; grup length, 8.2 cm; blade length, 65.3 cm, quillons width, 18.6 cm; weight, 1.5 kg

The form of the guards of this sword is typically South German of the second quarter of the 16th century, but the pommel is as distinctively Venetian while its blade bears the mark of Basle. It seems that such marks stamped upon blades do not refer to its place of origin of the blade, but of the hilt in which it is mounted. Therefore it seems to be reasonable to assume that this sword is, basically, Swiss, though it has the appearance of a hybrid.

A particularly fine sword with a similar guard is in Rome, in the Odescalchi Collection, Mu. no. 185. This is illustrated in Nolfo di Carpegna’s catalogue of its collection, and in Boccia and Coelho’s ‘Nemi Bianche Italiane’, no. 381. A sword with an almost identical pommel and similar guards was sold by the Galerie Helbing in Madrid in 1908, from which sale some of the Medieval swords in the Fitzwilliam Collection came.

The pommel has the form of a crown of three fleusons, the middle on a long truncated cone accommodating the top of the long, which is switched over without a button. The sword features a half-basket guard of four elements of flat triangular section. The knuckle-guard is turned over at the top, the loop-guard covering the back of the hand, springing from the top of the knuckle-guard and meeting the midpoint of a forward ring-guard. Between these two guards is an S-shaped counter-guard. 

The sword has a straight quillons of the same flat triangular section as the guards. The quillons widens toward the tips, which are cut off straight and finished with small spherical knobs. The back-guard is made of one bar, springing from the root of the outside quillon and joining the end of a single short outside branch.

The grip is of oval section, widening toward the pommel, covered in red-brown leather. The broad back-edged blade, with a shallow fuller just inside the back edge which ends in a short cusp at the point. The back is very slightly curved. The blade bears its stamped mark of the City of Basle.

Source: Copyright © 2014 The Fitzwilliam Museum, University of Cambridge

bookshop:

This is my new favorite thing in the history of life

medievalpoc:

aintasuperhero:




“This is a painting I did for my little cousin who will soon be going through a bone marrow transplant. I hope that every time she looks at it she will feel brave and strong.”
Qavah the Brave by ~Wes-Talbott


OH MY GOODNESS


Contemporary Art Week!

medievalpoc:

aintasuperhero:

This is a painting I did for my little cousin who will soon be going through a bone marrow transplant. I hope that every time she looks at it she will feel brave and strong.”

Qavah the Brave by ~Wes-Talbott

OH MY GOODNESS

Contemporary Art Week!